Quick and dirty this weekend pit stop in Ireland has been. Oh well, I takes what I can get.
I’ve hiked and driven these quiet lanes so many times over the years that I sometimes take it for granted how much this part of Northern Ireland is soaked in history and mythology. Slieve Gullion – literally, mountain of the steep slope in Irish – is the eroded remains of a Paleocene volcano. It lies at the heart of the Ring of Gullion, which is itself a topographical curiosity only recently understood: an ancient ring dyke. (With the collapse of an active volcano’s caldera, a concentric ring of fault lines radiate outwards. Magma is extruded through these fractures to create mountains which are a geologically helter-skelter composite at their surface. Here the mix is molten granite with igneous rock from the Silurian period some 400 million years ago.) It’s the highest point in County Armagh, and on that rare clear day offers views as far away as Dublin Bay and Wicklow. At the top of the mountain are two cairns on either side of a small lake. The southern one is the highest surviving passage grave in Ireland – radiocarbon dating suggests it was built circa 3000 BC – and its entrance is aligned to the setting sun of the winter solstice. According to legend, however, Slieve Gullion is named after Culann, the metalsmith. And it is here that the legendary warrior Sétanta spent his childhood and received the name Cúchulainn. Culann invited Conchobhar mac Neasa, King of Ulster, to a feast at his house on the slopes of Slieve Gullion. On his way, Conchobhar stopped at the hurling field and was so impressed by Sétanta’s playing that he asked him to later join him at the feast. Conchobhar went ahead, but he forgot about Sétanta, and Culann let loose his ferocious hound to guard the house. When Sétanta arrived the hound attacked him, but he killed it by driving a hurling ball down its throat with his hurley. Culann was devastated by the loss, so Sétanta promised to rear him a replacement, and until it was old enough to do the job, he would guard Culann’s house. Henceforth he was known as Cúchulainn, or Culann’s Hound. But that’s just the beginning for young Cúchulainn, who will later single-handedly defend Ulster against the invading Connacht armies of Queen Medh at the nearby Gap of the North and take his place as Irish literature’s greatest mythic hero. All in a day’s hike, as they say.
Unassuming at first glance, Creggan Parish Churchyard is one of the more important and historic properties in Northern Ireland. The church was likely founded as far back as 1450 by the O’Neills, who built a castle at Glassdrummond, near the Irish Sea. While all traces of the pre-Reformation church have disappeared, it’s thought that the O’Neill family vault was situated underneath the original church. (Remains of a subterranean doorway were recently found during repairs to the existing modern structure.) The adjoining graveyard is also the burial-place of three eighteenth century Gaelic poets, who give this picturesque area of trails and sculpted gardens its evocative name: Art Mac Cooey, Pádraig Mac Aliondain and Séamus Mór Mac Murphy – poet, outlaw, and self-described handsomest man in Ireland.
A proper pint of Guinness, thick slices of brown bread, and half a dozen Carlingford oysters at PJ O’Hare’s. This is what I think of when I hear the phrase ‘holy trinity.’
It’s officially now ten years running that I have missed the annual running of the donkeys in Cornamucklagh. And while it’s not exactly Pamplona, I say this without a shred of irony: I’m unusually fascinated by this rural Irish tradition. Maybe some summer my holidays will time to coincide. Until then my white whale smells surprising like manure.
Titanic Belfast is the city’s new “must see” attraction – and it’s a wonder how it took the city leaders so long to exploit the worldwide fascination with the most famous maritime disaster of all time. Rising on the slipways where both RMS Olympic and Titanic were built, the distinctive building takes obvious inspiration from both a ship’s prow and the refracted gleam of ice. Drawing together special effects, full-scale reconstructions, and innovative interactive features across nine galleries, the Titanic story is explored in a fresh and insightful way; from her conception in Belfast in the early 1900s, through her construction and launch, to her infamous maiden voyage and catastrophic demise. The journey goes beyond the aftermath of the sinking, too, to the discovery of the wreck and continues into the present day with a live undersea exploration centre. We all think we know the Titanic story but to a large extent we are well acquainted with only a very small sliver: the ill-fated maiden voyage. What I found most interesting at Titanic Belfast was context so often missing from any modern retellings: in the early 20th Century Belfast was enjoying the greatest boom in its history. The city was a global leader in engineering, ship-building and linen manufacturing, and Belfast’s Harland and Wolff had become the largest shipyard in the world. It was this thriving local industry along with innovations in design that led to the creation of RMS Titanic and it’s sister ship, Olympic. Special effects, animations and full-scale reconstructions bring to life the reality of shipbuilding in the early 1900’s: a superhuman undertaking of skilled labor, brute force, and engineering prowess.  Beyond that it delves into the ship’s launch - a large window overlooking the actual slipways is fitted with state-of-the-art glass containing electrodes that switch from the normal view to a superimposed image of the Titanic on the slipways for a unique perspective of how the ship would have appeared – custom fit-out, the sinking and the aftermath. It even finds time to explore the multitude of myths and legends surrounding Titanic’s story before depositing visitors in a gift shop burdened by extraordinarily bad taste. But no bother, Titanic Belfast isn’t so much a story of tragedy but one of triumph: after all, once upon a time Boomtown Belfast built the largest and most luxurious ship in the world.
Opened by Niall and Joanne McKenna in an old linen mill close to ten years ago, James Street South Restaurant was at the forefront of marrying the best of Irish ingredients with classical French cooking methods and seasonal menus. My return found smartly renovated interiors and a menu which reminded me of just how far ahead of the curve the McKennas really were. Local smoked eel? Pork cheeks? Razor clams? It’s good to discover the city has caught up – and that a restaurant like this can not only thrive, but set the agenda, too.
Stop me if I’m starting to sound like a broken record, but I can’t get over how things have changed. Today it’s St. George’s in central Belfast, where a Friday market has stood in one guise or another since 1604. I last wandered the late 19th-century red-brick structure maybe seven or eight years ago and was underwhelmed. The farm-to-table movement had yet to take firm root in Northern Ireland, so while the steel and glass interiors stood out as a well-preserved reminder of the great Age of Empire, the handful of sorry vegetable stalls and assorted tat sellers inside seemed remarkably out of time and place. What a difference a decade makes. Following a £4.5m refurbishment the market has become one of the most vibrant and colorful destinations this city has to offer. A raft of local producers trade in everything from Armagh beef, award-winning farmhouse cheeses, free range eggs from Limavady, venison, pheasant in season and organic vegetables from Culdrum and Millbrook Farms. The fish section alone contains 23 stalls and holds the reputation for being the leading retail fish market in Ireland. Plus, there’s live jazz and dozens of lunch options from freshly filled baps – the Belfast Bap is a floury sandwich roll and a source of local pride – and traditional French crepes to vegan Chana Masala and classic panini-style Cubans of roast pork, ham, and gherkins – dripping with swiss cheese. Dare I say this famously hermetic city seems to currently enjoy being just a bit worldly-wise?
Another revitalized area of Belfast’s city center city is Victoria Square, the site of a tasteful multi-story shopping mall. Parallel to the downtown shopping area it hasn’t so much supplanted Royal Avenue as the main drag as provided a high-end complement to the High Street. The structure is semi-enclosed, like a giant breezeway with levels of restaurants and movie theaters sandwiched between the retail raison d’etre. Crowned by a central geodesic dome the public spaces are flooded with the rarest of Irish commodities: natural light. That alone would be enough to warrant a round of applause yet the designers did something really clever with what could have easily been wasted negative space: utilizing the practical aesthetics of the dome toward a civic end. From the top-level of the shopping center the public can ascend a circular staircase to a sheltered viewing platform. And while Belfast doesn’t come close to having a skyline that warrants a Top of the Rock, the Stare on the Square – public monuments in Ireland requires a mellifluous moniker if you hadn’t heard; the sculpture at the entrance might officially be known as The Spirit of Belfast but to locals it will always be Onion Rings – is an ideal height for views out to the Harland & Wolf shipyards, where Titanic was built, and Napoleon’s Nose, the inspiration for Swift’s tales of Lilliput. Shopping, it seems, really can qualify as a cultural pursuit. Double-click the panoramic image at the bottom for greater detail.
On my final night into day at The Lodge at Doonbeg I had the dubious whiskey-fueled distinction of witnessing both the sunset and sunrise from the 18th green of the Greg Norman-designed links course. The sky was a sight, each time in its own breathtaking way.
To say The Lodge at Doonbeg is dramatically situated is a bit of an understatement. You’re going to want to click the image  – then click it again – to get the full effect of the Clare coastline.
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