TheÂ relativelyÂ recent history of Cambodia is horrific. Under Pol Pot and the Khmer Rouge the country was subjected to a radical social engineering project in the 1970’sÂ that aimed to create a purely agrarian Communist society. Around two million people were forced from the cities to take up agricultural work in the countryside. The party controlled what they wore, whom they could talk to, how they acted. Children were believed to be tainted by the capitalism ofÂ theirÂ parents, so they were separated, indoctrinated in communistÂ ideologyÂ and made a dictatorial instrument ofÂ theÂ party, given leadership roles in the torture andÂ executionÂ of anyone suspected of being a traitor. And almostÂ everyoneÂ could be considered a traitor: intellectuals, artists,Â minorities, city-dwellers and anyone with an education. In little more than four years the Khmer Rouge killed an estimated 1.5 million people – a fifth of the country’s population – through torture, forced labour, starvation, and executions.Â Unbelievably,Â one of the many groups targeted wereÂ theÂ Apsara Dancers,Â practitionersÂ ofÂ theÂ classical Khmer dance which dates back to the 7th century. (The Angkor temples are festooned with thousands of images of the Apsara.Â During this period, dance was ritually performed at the temples as both entertainmentÂ andÂ as a means of delivering messages to the gods.)Â Although 90 percent of all Cambodian classical artists perished in the genocide, the tradition ofÂ theÂ Apsara was resurrected in the refugee camps in eastern Thailand with the few surviving Khmer dancers. Yes, I had come to Cambodia because I wanted to see the temples, but what I needed was to see this dance: elaboratelyÂ dressed,Â performingÂ a slow and figurative set of hand gestures and poses, invoking the gods and enacting epic poems; a testament to the power of art and a point of national pride. (Plus, anyone with even a passing familiarity with The King & I will immediately notice where Jerome Robbins stole his best ideas.) The return of the Apsara augured not only a reestablishment of civil society but, Â more importantly, a resurrection of the country.