the menil collection

A few blocks away from MFAH, in a quiet residential neighborhood, the Menil Collection anchors a cultural enclave of shaded streets where unassuming bungalows sit side-by-side with art filled chapels, artist pavilions, and outdoor sculpture. It’s the distinctive – and decidedly eclectic – vision of Houston philanthropists John and Dominque de Menil, whose private art collection forms the bulk of the museum. As modernists, the de Menils recognized the formal and spiritual connections between contemporary art and the arts of ancient and indigenous cultures, so while at first it might seem curious to pass through a gallery hung with Surrealists into a room full of carved statuary from Oceania, intellectually it makes perfect sense once considered. What appears at first to be slap dash has actually been meticulously planned. That spirit of intellectual provocation is one of the things I most love about this curious collection. Another is the fact that the de Menils enjoyed close friendships with many of the contemporary artists whose work they collected, including Max Ernst, Jasper Johns, Yves Klein, Rene Magritte, Robert Rauschenberg, Andy Warhol and Mark Rothko; meaning much of the American postwar Abstract Expressionism, Pop Art and Minimalism hasn’t simply been collected, but commissioned.


pop-up pavilion

Remember when Fashion Week used to take over Bryant Park with a big white tent?  It may have been a statement of sorts but it was a crap aesthetic that seemed only to magnify how out of touch with their surroundings the fashion world had become.  So I was pleasantly surprised this weekend to chance upon the tents at their new temporary home in Lincoln Center’s Damrosch Park.  Make no mistake, the tent is still there – but it’s discretely hidden behind a faux-travertine facade cleverly designed to mimic the ubiquitous stone that gives the plaza its distinctive look.  It ranks as the coolest pop-up pavilion to hit New York since 2008, when Zaha Hadid’s Chanel spaceship landed in Central Park. I wonder what it portends for this year’s catwalk under the big top?


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