at the theatre: the lion in winter

No trip to London would be complete without a trip to the theatre and save the various stage adaptations of Dickens’ A Christmas Carol few plays are as mistletoe-festive as James Goldman’s family feud nonpareil, The Lion in Winter. Set during the Christmas holiday at Henry II’s château in Chinon, France, the play – made famous by Katherine Hepburn’s Oscar-winning turn opposite Peter O’Toole in the film adaptation – concerns the gamesmanship between the King, his three sons, and Eleanor of Aquitaine, the wife he’s imprisoned for attempting to overthrow him. Henry’s favored male heir has died, you see, leaving the leftover Plantagenets to scramble for power. Will it be the childish, spoiled John, Henry’s youngest son? Or Richard the Lionhearted, Eleanor’s choice – and best hope for getting out of the clink? And don’t forget about middle brother Geoffrey, who’s scheming with the King of France to make war on England. Though the historical background is accurate, this is fiction for the most part – and campy good fun that doesn’t take the Dark Ages too literally or seriously. Plus, who doesn’t enjoy watching a family plot against each other – especially when it’s the holidays and that family isn’t yours? Best of all, Trevor Nunn’s production at the Theatre Royal Haymarket stars Robert Lindsay and Joanna Lumley. As the equally matched King and Queen they don’t just chew the scenery, they savor it like a brandy-soaked Christmas pudding.

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merry christmas

Many years ago a good friend of mine copied out the following passage and tucked it into a Christmas card. Was I going through a particularly difficult crisis of confidence at the time? Perhaps; I can’t really remember. What I do remember was how clear and strong the writer’s voice rang out.

I’ve kept it tucked in my wallet since  – it’s one of the best gifts I’ve ever received.

“There is a vitality, a life-force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You have to keep it open and aware directly to the urges that motivate you…..No artist is pleased…..There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.” — to Agnes DeMille from Martha Graham

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