Dolores Olmedo had quite the colorful life. As a young girl from a working class background she caused a scandal when her family discovered that she had posed nude for the painter Diego Rivera. Forbidden to see the artist anymore, it wasn’t until many years later that their paths crossed again, by which time Olmedo had become one of the richest women in Mexico – both a successful businesswoman, philanthropist, and patron of the arts. Rivera was broke, close to dying, and concerned about his legacy. At his urging she went on a buying spree, amassing a major collection of the painter’s canvases in addition to works by Frida Kahlo, Diego’s wife, with whom Olmedo had a tempestuous friendship fraught with jealousy over Rivera’s affections. After Kahlo and Rivera’s deaths she bought a 16th century hacienda in southern Mexico City, which she later converted into a museum and shrine to her life of passionate collecting. Not only does the five-building complex hold her entire store of pre-Hispanic, colonial, folk, modern and contemporary art, but also the largest holdings of Kahlo and Rivera anywhere – and her private chambers, filled with extravagant displays of ivory and porcelain, showcase photos of Olmedo with virtually every famous person in the world.